An undersung legend of queer performance in Germany, Joaquín La Habana traces, in a conversation with dance historian Eike Wittrock, the various ancestral lines that shape his spiritual and performative practice: Yoruba, Afro-Cuban, Afro-American, and modern dance, Cuban Carnival, Tropicana, drag, and queer culture. This conversation, punctuated with live music and archival documents, portrays the many facets of La Habana’s art, which was queer and intersectional before many of these theories became known to broader publics.