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Not All Travellers Walk Roads—Of Humanity as Practice, reader cover

Not All Travellers Walk Roads—Of Humanity as Practice – Reader (en)

With contributions by Abdellatif Laâbi, Abena P. A. Busia, Alya Sebti, Anna Roberta Goetz, Bonaventure Soh Bejeng Ndikung, Conceição Evaristo, Creuza Krahô, Edimilson de Almeida Pereira, Etel Adnan, Hervé Yamguen, Jacques Attali, Jean Casimir, Joshua Chambers-Letson, Juliana Borges, Keyna Eleison, Kim Cheng Boey, Linh Nga Niê Kdam, Márcia Wayna Kambeba, Nam Le, Naminata Diabate, Panashe Chigumadzi, Rodney Saint-Éloi, Thiago de Paula Souza, Tsitsi Jaji, Yásnaya Elena Aguilar Gil

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Not All Travellers Walk Roads—Of Humanity as Practice – Reader (en)

With contributions by Abdellatif Laâbi, Abena P. A. Busia, Alya Sebti, Anna Roberta Goetz, Bonaventure Soh Bejeng Ndikung, Conceição Evaristo, Creuza Krahô, Edimilson de Almeida Pereira, Etel Adnan, Hervé Yamguen, Jacques Attali, Jean Casimir, Joshua Chambers-Letson, Juliana Borges, Keyna Eleison, Kim Cheng Boey, Linh Nga Niê Kdam, Márcia Wayna Kambeba, Nam Le, Naminata Diabate, Panashe Chigumadzi, Rodney Saint-Éloi, Thiago de Paula Souza, Tsitsi Jaji, Yásnaya Elena Aguilar Gil

Mona Vătămanu und Florin Tudor in Zusammenarbeit mit Dinu Bodiciu, We Hope This Message Finds You Well! (2025), Stoffbanner

Matthew Barney, Patriot (2024), 4 Elemente aus hochverdichtetem Polyethylen, N.F.L. Trikot, 213,4 × 182,9 × 182,9 cm; Hou Chin-Minh, Revolt of the Slave, aus der Serie Body Image: Man Hole (2017); Hou Chun-Ming, The Asian Father: Seoul (2018), Serie aus 3 Werkgruppen, Acryl auf Pappe, Öl und Pastell auf Papier, Maße variabel

Ausstellungsansicht, Mrinalini Mukherjee Halle, Haus der Kulturen der Welt (HKW), 2025

Chulayarnnon Siriphol, Myth of Modernity (2014), 1-Kanal-Video, Farbe, Ton, 16'; Myth of Modernity (2014), Lichtskulptur, 145 × 145 × 100 cm

Ausstellungsansicht, Mrinalini Mukherjee Halle, HKW, 2025

Global Fascisms

Exhibition, 13.9–7.12.2025

Photo: Hanna Wiedemann/HKW

Pavilion designed by Mae-ling Lokko and Gustavo Crembil

Pavilion designed by Mae-ling Lokko and Gustavo Crembil

Pavilion designed by Mae-ling Lokko and Gustavo Crembil

Pavilion designed by Mae-ling Lokko and Gustavo Crembil

Ileum

Temporary pavilion, 2025, by Mae-ling Lokko and Gustavo Crembil

Audio

Who Does Germany Belong To? Podcast

So Who Does Germany Actually Belong To?

Who does Germany belong to? Podcast Episode 8, with Max Czollek and Linus Westheuser

So Who Does Germany Actually Belong To?

Who does Germany belong to? Podcast Episode 8, with Max Czollek and Linus Westheuser

Fertilizing the Void, Keynote by Sundar Sarukkai (thumbnail)

Fertilizing the Void

Keynote by Sundar Sarukkai, part of Fertile Void: Quantum Cosmologies between Science, Stories, and Speculation, 1.11.2025

Fertilizing the Void

Keynote by Sundar Sarukkai, part of Fertile Void: Quantum Cosmologies between Science, Stories, and Speculation, 1.11.2025

Document

The Internationaler Literaturpreis Reader 2026

The Internationaler Literaturpreis 2026 Reader gathers extracts from the six works shortlisted for the award, which honours an outstanding work of contemporary international literature that has been translated into German for the first time.

The Internationaler Literaturpreis Reader 2026

Cover Global Fascisms

Global Fascisms – Reader (en)

With contributions by Stefan Baghiu, Thomas Biebricher, Cosmin Costinaș, Kwame Dawes, Jakob Grüner, June Jordan, Jeremy Knowles, Canberk Köktürk, Henrieke Kohpeiß, Daniel Loick, Clara E. Mattei, Bonaventure Soh Bejeng Ndikung, M. NourbeSe Philip, Vanessa Rocco, Arundhati Roy, Aaron Skabelund, Quinn Slobodian, Eric Otieno Sumba, Terese Svoboda, Julia Adeney Thomas, Vanessa E. Thompson, Alberto Toscano, Maxi Wallenhorst

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Global Fascisms – Reader (en)

With contributions by Stefan Baghiu, Thomas Biebricher, Cosmin Costinaș, Kwame Dawes, Jakob Grüner, June Jordan, Jeremy Knowles, Canberk Köktürk, Henrieke Kohpeiß, Daniel Loick, Clara E. Mattei, Bonaventure Soh Bejeng Ndikung, M. NourbeSe Philip, Vanessa Rocco, Arundhati Roy, Aaron Skabelund, Quinn Slobodian, Eric Otieno Sumba, Terese Svoboda, Julia Adeney Thomas, Vanessa E. Thompson, Alberto Toscano, Maxi Wallenhorst

Außenansicht Haus der Kulturen der Welt (HKW) mit Flaggenserie von Ulf Aminde: Klage (Gedenken an die Todesopfer rechter Gewalt in Deutschland seit 1990 // 2. Aktivierung) (2024–), Serie aus 16 Flaggen, Maße variabel

Idas Losin, In my world (2024–25), Acryl, 1,53 x 19,54 m, Sylvia Winter Foyer

Banner von Ena de Silva, Wachsbatik auf Stoff, verschiedene Entstehungsjahre, Sylvia Winter Foyer

Ausstellungsansicht, Mrinalini Mukherjee Halle

Julien Creuzet, can we escape, elsewhere, through the door of sequestrations, can we let the gaze observe the distance, when where we are will never exist again. wandering, on the ocean horizon. My body before his body, his body before his body, his body well before his body, like a great madness of tears (…) (2025), Skulptur; Stahl, Kaffee, Plastikflasche, Kondom, Taschentuch, Elektrodraht, Kunststoff, Textilfäden, Karton, 230 × 206,5 × 40 cm

Musafiri: Of Travellers and Guests

Exhibition and Research Project, 8.3–16.6 2025

Document

Always, Already There Booklet

With contributions by Leila Adu-Gilmore, Jessie Cox, Douglas R. Ewart, Hannah Kendall, Harald Kisiedu, George E. Lewis, Monthati Masebe, Bonaventure Soh Bejeng Ndikung, and others

Always, Already There Booklet

Visual: Studio Yukiko

Decolonial Electronics

Concert with International Contemporary Ensemble with Cedrik Fermont, Christina Wheeler, Satch Hoyt, Corie Rose Soumah, part of Always, Already There, 7.11.2024

Decolonial Electronics

Concert with International Contemporary Ensemble with Cedrik Fermont, Christina Wheeler, Satch Hoyt, Corie Rose Soumah, part of Always, Already There, 7.11.2024

Max Czollek in Conversation with Peggy Piesche

Max Czollek in Conversation with Peggy Piesche

Video

Surreal Continuum: Opening Speech, Thumbnail

Surreal Continuum: Revisiting, Remapping, Reimagining Surrealism

Opening speech by Bonaventure Soh Bejeng Ndikung, Director and Chief Curator of HKW, 11.4.2025

Surreal Continuum: Revisiting, Remapping, Reimagining Surrealism

Opening speech by Bonaventure Soh Bejeng Ndikung, Director and Chief Curator of HKW, 11.4.2025

Image:

VIBRATIONS, TRANSLATIONS, performance by Slim Soledad with Alada and Black Pearl de Almeida Lima, as part of Bwa Kayiman – Lakouzémi, 1.8.2025

VIBRATIONS, TRANSLATIONS Slim Soledad with Alada and Black Pearl de Almeida Lima, performance (Screenshot)

Videos

Rasambleman! Sa Na Kenbe? Reimagining Translocal Living Economies for Haiti’s Counter-Plantation System (Thumbnail)

Rasambleman! Sa Na Kenbe? Reimagining Translocal Living Economies for Haiti’s Counter-Plantation System

Bwa Kayiman – Lakouzémi, Inaguration Talk with Évelyne Trouillot and Wole Soyinka (Thumbnail)

Souveraineté, de quel côté es-tu? [Sovereignty, which side are you on?]

Slim Soledad, VIBRATIONS, TRANSLATIONS (2023). Photo: Mayra Wallraff

VIBRATIONS, TRANSLATIONS

Rasambleman, Sa Na Kenbe? The Lakou as a Space for Political Transformation (Thumbnail)

Rasambleman, Sa Na Kenbe? The Lakou as a Space for Political Transformation

L’Antech: Wine yu Bottom. Lift up yu Chest and Pointe yu Tuoz, Movement Lecture, Dance Workshop mit L’Antoinette Stines (Thumbnail)

L’Antech: Wine yu Bottom. Lift up yu Chest and Pointe yu Tuoz

Start page→Videos→HKW Talk on the Anthropocene | Anselm Franke, Bernd Scherer

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HKW Talk on the Anthropocene | Anselm Franke, Bernd Scherer

The Disappearance of the Outside
English original version
Talk

The exhibition “The Whole Earth. California and the Dispappearance of the Outside” looks at the impact of the photograph of the blue planet. What remains ideologically of the purported change in planetary consciousness during the 1960s and 1970s and can be of relevance for the discussion of the Anthropocene: A conversation about the ideas and main concepts behind the exhibition between curator Anselm Franke and HKW’s director Bernd Scherer.

Year :

Credits:

Film: Dusan Solomun

Duration:

00:30:07

Tags

#Industrialisation

Projects

The Anthropocene Project

The Whole Earth